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Harry Anne Linseed

by Haniell

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1.
Haunted Keep 03:37
James along the road-lane will become new First, though, hall on the right And river to his right, then to his left As Prospect looks upon you And I heard this place was haunted So I went there every night Just to find it was me Who was haunting this site We were made for to catch game My advice: think on Harry’s soul There’s a phantom at the keep And the mist has claimed my eyes and my ears And I see her in old wives tales As she hums down the steps Those nine hundred years And two months old steps.
2.
Villagers are here for an assembly The chillun came two by two Little lamb drawings of ingathering And mothers, too They sit in this room Beneath the card. I wish I could take my viol da gam And walk off to South Zeal Where I can paint landskips and enjoy The dregs of my life In quietness and ease But then the card. Every eye sees the white woollen man His scarlet breeches and his candlestick hands He came with clouds, and when kneeling, His trumpet sounds.
3.
Roulette 04:19
Once, in a vision of the night, I was punished by the sight of a page as it turned Writ in the fractalating ink, All in laughter from the brink, was a terrible word I am living the other nightmare There are thousands of them And only one dream. And this is a symptom, Not the disease. Time to move to the countryside, In a garden watch the sky with my mouth wide open And wait for the atom bomb to drop, And pray it lands right down my throat Tell the author to start all over again I don’t like this one I can’t stand how it ends I refuse to go through it The other guy blew it Don’t mess it up He said “this whale is having a dog of a time” And he insisted that we play Russian roulette With a completely loaded weapon He rummaged in his pocket and pulled out One, two, three, four, five, six Six words of wisdom for me And, winking with every eye, He was humming the tune that goes “And we all shine on Like the moon, and the stars, and the sun” As he began to nag the trigger Began to nag the trigger Began to nag the trigger Began to nag the trigger.
4.
I was walking again in dreamland With a viol in my hand Strumming zoetropic visions That I saw gallop round and round And with a lion up on Klondyke To the sound of some new band I took note of my position And saw a bridge to that heather land Moon-eye show the hill where melodies go And granite bones align in clever rows Yes cloaked in ancient robes, blue, now royally grown The dancing field aglow in purple clothes Where horses roam And heather grows The lion knows His home And like a dawning over Klondyke There rose up a lion sun Who without ceasing on his mission Said “Harry! on! to that heather land!”
5.
Pray that I’m brave, but never find that out Not now or ever You’d rather live in doubt And don’t let the weather bring you down I knock all night; get no answer I knock, it’s all for the best No feet in the grave, but now I know its size Where I’ll close my eyes Look up from the ground, hear those dusky summer sounds And don’t let the weather bring you down I knock all night; get no answer I knock, but I know i’m guessing Is this a wind on my finger pointed out? I knock again and resign It’s for the best I know, I know, I know it’s true That chasing her is a foolish thing to do And yet, what if I felt a wind?
6.
It was the way of the granite man He had granite hands and granite feet His eyes were the moon He dressed in navy fabric Coloured in with stars And he danced Then the tree came Her eyes were the sun She was dressed In clouds that rained And they danced within the fabric Now a lighter blue With rain upon the fabric And clouds over the moon The granite man crumbled His granite bones became granite stones Only his moon eye remained Hiding from her sun eye Searching the earth round and round Only his moon eye danced in the night And what of the stars that crowned his cloak? Look above you Now we climb this Tor on Sunday afternoons We are stepping on his hands We are stepping on his feet.
7.
Good 03:04
I need advice, just like before When you were ready to give it About life and how to live But I’d already stolen it And it goes like this: “Let Sunday be the evening of your week” Give a smile, be a thief It’s the least that you owe me When I look into my soul And summarise my goal It sounds like this: I don’t wanna be great– I wanna be good All my faith is tied up in this One humble shot that, who knows, might miss It’s not so much about chasing bliss The triumph is to avoid abyss I sleep well after a good day When I’ve behaved in an honest way With all my debts repaid And so when I am older And it’s true that I Hope I am when I… And it’s bedtime But forever I will die well after a good life.
8.
Who have we here? Little boy in the neckerchief Talking on, and on, and on Commentary boy Lullaby luh Laby yuh luh Lady whisper hush Listen to what is around Only sound: mices creeping a-round and round Mices sneak underground Tree branches growing, where are they going? Kittens caroling, fa so la ti do-ing Cotton neeweeps Clouds on four feets Are listening too Mrs Owl peeps Time for some sleeps Little boy blue Tortoises trudging, that wall’s not budging Blind moles a-hilling, mud can’t be filling! Cotton neeweeps Clouds on four feets Are listening too Mrs Owl peeps Time for some sleeps Little boy blue.
9.
Herebefore 04:41
A hand print on a cavern stone By an old man who was not alone Painting with his open eye Saying “here am I” The language of that dream was gone All the whispered songs Walla leialanon I was learning how to read and write Then bath time on a Monday night Little footprints on a woolly rug Yelling “next!” from a towelly hug Then at fourteen In an away game for Argyle “Ow, my knee” Couldn’t play for a while The language of that dream was gone All the whispered songs Walla leialanon In the poem of that dream Did I catch a glimpse Of where the whisper came from? Walleialala As all the squirrels and the bees And all the branches in the apple trees At every cockadoodledoo Can up and rise, open their eyes, Then so can I, and so can you.
10.
You were a head wind Or the turn onto The Avenue From the North Side of the Common When I feel the air get colder I hope you step on a plug But most of all I hope You find meaning and fulfillment And the strength to prevail And to forgive, as you are forgiven. Because you are loved That’s the message I carved into the bench (in case the moss obscures those letters or my keys were too blunt or my hand was too clumsy to make them out clearly enough, or in case you never revisit, and perhaps you’ll never hear this or know that I’m addressing you, although I think it’s probably obvious enough) The bench on the hill with the view Of that phoenix cathedral, Saint dad, saint brother, On the far side, in the middle, on the far right side of the middle beam Read it and know it And remember it forever: You are loved, ever so gratefully, Eternally, softly goddammit! You are loved!

credits

released October 9, 2021

PERSONNEL
Haniell Langton-Laybourn – vocals, piano, electric guitar, steel-string acoustic guitar, nylon-string acoustic guitar, electric bass guitar, double bass, harmonium, glockenspiel, bells, synthesisers, tambourine, percussion, drum machine; arrangements; field recordings, production, engineering, mixing, mastering; design;
Thomas Gooch – artwork;
Duncan Carter – production consultation;
Matthew O’Keeffe – tenor saxophone (tracks 2, 5 & 9);
Flora Fontanelli – violin (4, 6 & 10);
Alec Joly Pavelich – snare drum (3 & 9);
Margarida Baptista – backing vocals (6).

LYRIC REFERENCES
On track 1, lines are taken from an inscription found on bells that once hung in Okehampton Castle, and which now lie in the Museum of Dartmoor Life, 3 West Street, Okehampton, EX20 1HQ;
On track 2, lines are taken from a letter by Thomas Gainsborough, reproduced in The Letters of Thomas Gainsborough, ed. Mary Woodall (Greenwich, Connecticut: New York Graphic Society, 1963), p. 115, no. 56, and scenes are taken from the painting Grandpa’s Pipe by Sandy Carter;
On track 3, lines are taken from “Instant Karma!”, written by John Lennon and recorded by John Lennon and the Plastic Ono Band in 1970;
On track 4, scenes are taken from the painting Walking With a Lion on Klondyke by Sandy Carter;
On tracks 4 & 9, lines are adapted from the poem The Waste Land by T.S. Eliot.

SAMPLES
“Sound & Color” from Sound & Color by Alabama Shakes (tracks 4, 8 & 10);
“Long, Long, Long” from The Beatles (2); and “Something” from Abbey Road by The Beatles (10);
“Nimrod” composed by Edward Elgar and performed by the London Philharmonic Orchestra, conducted by Leonard Slatkin, for RCA Victor in 1989 (1 & 5);
“People Doing Things” (9), “Tabard Garden” (4) and “Mono No Aware” (9) from People Doing Things and “Nightwalkers” (3 & 10) and “Aftermas” (3 & 5) from Ocmundtune-mastix & Now by Haniell;
“Isn’t It A Pity” from All Things Must Pass by George Harrison (2 & 10);
“Instant Karma!” by John Lennon and the Plastic Ono Band (2);
“The Great Gig In The Sky” from Dark Side of the Moon by Pink Floyd (2);
“Piano Concerto no. 2 in C minor” (9) performed by Bernd Glemser and the Polish National Radio Symphony Orchestra, conducted by Antoni Wit, and “Prelude in G minor” (2) performed by Idil Biret, recorded for Naxos in 2005, composed by Sergei Rachmaninoff.

Recorded October 2020-April 2021 in London. Field audio recorded August 2015-September 2019 in London, Surrey, Devon, Birmingham and the Netherlands.

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